Symbolic and "Pi" fonts. Inconsistent Fractions in OpenType-savvy applications.
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Polytonic Greek behavior. Application Compatibility and Historical Issues. Technical Support. Although it is dependent on how you purchased your fonts, generally an OpenType font package from Adobe contains:. Note: To keep the size of online font downloads small, and to ensure that other material is as up-to-date as possible, we provide links to the current versions of the font specific read mes, this read me and other OpenType information on the Type section of Adobe.
To the top. A cross-platform font file format jointly developed by Adobe and Microsoft, OpenType is an extension of the TrueType sfnt format that can now support OpenType CFF font data and new typographic features. In Windows , XP, and Vista, one can double-click on an OpenType font to get a sample sheet that indicates what kind of outlines the font file has.
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In general, both "flavors" of OpenType are equally supported in Adobe applications and in the PostScript language. Because both flavors share the same structures for multi-lingual support and advanced OpenType layout features, it is usually easy for applications and operating systems to support both flavors equally well. Some fonts do not appear in application font menus style linking :. Symptom: A family of fonts appears to be installed. Some of the installed fonts from the family, but not all, appear in the font menu.
Specifically, some of the weights are missing, and all of the italic fonts. The problem typically occurs in some applications e. Explanation: The other "missing" fonts are accessible by using the bold and italic style buttons in each application. There are two ways to tell which fonts are linked to which. Additional Information: Style-linking is used with fonts of all formats in standard Windows applications.
Most Windows applications only show the "base font" of any style-linked group in their font menus. The additional style-linked fonts won't show up separately in the font menu of these applications. Being able to directly pick the style-linked fonts the bold and italic is possible in only a few Windows applications, specifically ones that bypass the operating system for their font-handling including Photoshop, Illustrator and InDesign. In typical Windows applications, there is no way other than the style link to access the style-linked fonts. They don't show up in the menu on their own.
If you want to get to the fonts that can be accessed by the bold and italic buttons in these applications, the only way to access them is by use of these "stylings"; there is no alternative. People who are used to the Mac OS or applications which allow direct access to style-linked fonts often incorrectly: 1 expect that you can always "directly pick" even a style-linked bold or italic font from a font menu in any application; and 2 believe there is something wrong or inferior with using fonts via style links. Using style links does have the limitation that in most applications, if no actual style-linked font exists, the Windows OS will provide a simulated approximation, with no warning that your "base font" is simply being slanted or double-struck to approximate italics or bold.
Without close inspection by zooming in or printing out , it can be difficult to tell the difference on screen. As long as there is a style link, and the linked font is available, the real, style-linked font will be used in the document and in print. Fonts do not map correctly in documents transferred from Mac OS to Windows:. Symptom: When documents are created in some Mac OS applications are opened in the Windows version of the application, incorrect fonts are displayed.
Even though the same fonts are installed on Windows, the Windows version of the application doesn't recognize that the same font is installed. Explanation: This is another aspect of the style linking issue described above. To avoid the problem, whenever possible the Mac OS user must select the base font and use the style links to access style-linked fonts, rather than selecting the style-linked fonts bold or italic directly from the font menu. Background: Most of the information in the style linking section applies for the user on the Mac OS as well, it's just Mac users also have the option of directly selecting the fonts.
However, for certain applications, if someone is creating Mac documents that will also be used on Windows, they must use the style links when available, or the Windows version of the application will not be able to correctly identify the font used.
Under certain conditions, OpenType fonts may lose their distinctive icon. In most circumstances, this does not cause problems with the functioning of the fonts. However, one known issue is that fonts put in an Adobe application's own fonts folder or the fonts folder at Applications Support: Adobe may not be recognized by Adobe applications that normally support use of such folders. Note that doing this may cause you to lose customized changes you have previously made for example, in the Show Info window. Adobe packages its OpenType fonts so that they will get the correct icon when unpacked.
If the Type and Creator codes are incorrect or missing, or the Desktop DB is corrupt or damaged, icons may not display properly. TrueType Flavored OpenType fonts. TrueType flavored OpenType fonts.
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Some select Adobe applications such as Adobe Photoshop, Adobe Illustrator, and Adobe InDesign can use these fonts if they are placed in a "Fonts" folder located inside the main application folder. All applications running on OS X outside of the Classic environment can use the fonts. Mac OS X, current issues:. Keynote and Pages fail to use the kerning values in many OpenType fonts. Adobe is working with Apple to try to address this. This means that OS X cocoa applications which rely on the OS to provide kerning information rather than directly reading the OpenType font see the font as having no kerning pairs.
In such applications, with families which offer variant fonts of different optical sizes, such as Display, Subhead and Caption, the "Regular" font may not appear in the Font Palette. It has been fixed in Mac OS X Mac OS X, issues fixed in This means that OS X native or carbon applications which relied on the OS to provide style linking information will treat the fonts as having no style links.
Therefore bold and italic style buttons will either not work or will create synthesized styles smeared or slanted instead of accessing the correct font. This can have side effects: opening or importing a document authored on an earlier OS with OpenType OTF fonts using style links may result in the correct font not being found.
Workaround: For applications using Adobe's common font engine, such as InDesign, Photoshop, and Illustrator, one can work around this problem by putting the fonts in the application's fonts folder or in the application support:Adobe:Fonts folder. This meant that OS X native or carbon applications which rely on the OS to provide kerning information rather than directly reading the OpenType font would see the font as having no kerning pairs. This issue did not affect any Adobe applications using Adobe's common font engine, such as InDesign, Photoshop, and Illustrator. Also unaffected were any applications which are not yet carbonized, such as PageMaker and FrameMaker.
In applications which are carbonized, and still use QuickDraw for on-screen display rather than ATSUI or Adobe's common font engine , some of these characters display as different characters or as undefined. Despite the display problem, the characters do print correctly, to both PostScript and non PostScript devices.
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Unicode is a platform-independent character encoding standard that maps each character in a font to a unique value that is used to access that character. As a result, the pi and symbol characters in OpenType fonts are not accessible in most applications from normal keyboards. For more information on these issues consult the pi font info PDF. OpenType fonts from Adobe typically have one of three levels of fraction support:. For these fonts, using the OpenType fraction layout feature can help access these fractions but no others.
Fonts in the second category tend to have thirds and eighths fractions as well as the basic three. You might have to re-establish image links, but that should be about it. InDesign will import most of the document information intact - and that's it! You can now save the file as an INDD file. Make sure you check the content carefully though - no conversion is perfect. What about converting Quark 5 files? No problem. Then you'll be able to open the file in InDesign as explained above.
How about converting Quark 6 files? No problem! Open them in Quark 6 which you'll need! Then you'll need to open them in Quark 5 and back-save them to version 4! And then you'll be able to open them in InDesign. If you're converting Quark 7 files the procedure is slightly different.
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Then open the file in Quark 6 see above steps. Same again for Quark XPress 8. Same again for Quark XPress 9. Same again for Quark XPress The long and the short of it is that you'll be able to convert Quark files to InDesign, but the newer the Quark QXD file version, the more hoops you'll have to jump through. The free Quark to InDesign conversion is fine, and will get you out of a hole - but what if you don't have earlier versions of Quark?
Or what if you want something a little more convenient, and more thorough? The answer is to look at the commercial possibilities. Markzware have been a name I've been familiar with for years. My first experience of their software was with an early version of Flightcheck which scanned Quark files, images and fonts to ensure that everything that should be there was there Quark didn't include fonts in the collect for output option until version 5.
This is what Markzware does very well - it looks for gaps in the big software titles and then designs the plugins and software to fill those gaps. Their customer service is excellent as well - I remember e-mailing a hurried message of to the support guys late on a Friday, not really expecting any help until the following week.
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They called back within two minutes - I've been a fan ever since! Q2ID will convert versions 3. However, Markzware are up-front about the fact that no conversion is perfect, and some reworking will probably be required. So if you're looking for a perfect facsimile of the original, you'll be disappointed unless the document being converted is very basic.