Peter Green was a real bluesman, with an angry, moody voice to match his incomparable fretwork. His Fleetwood Mac was the most muscular and musically-proficient of the band's many incarnations: its sensitive side, displayed on singles like 'Black Magic Woman' and 'Albatross', easily eclipsed when he hit those 12 bars, joined forces with fellow guitarists Danny Kirwan and Jeremy Spencer a thought - were Fleetwood Mac the first incarnation of the triple-axe rock band later made popular by Lynyrd Skynyrd?
Well, it's a Little Richard classic, innit? Early Fleetwood Mac were more than just a bunch of blues wannabes, and, driven by Jeremy Spencer, proved that the British wave of late sixties bands were not just hell-bent on aping B. King, Elmore James and Robert Johnson.
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Chuck Berry, Little Richard, Fats Domino - all were revived to great effect in a way that would influence punk , having been discarded by psychedelia, and this lovelorn cover is a nice example of old time rock and roll done well. This track is a lovely, slow-paced blues number in the mould of 'Need Your Love So Bad' that, lyrically, seems to hint at the fragile state of mind of Fleetwood Mac's leader, Peter Green, even though it was written by British bluesman Duster Bennett. Chad Parkhill. For a British band, Fleetwood Mac have never sounded particularly tied to their geography — trading first in second-hand American blues and later, after relocating to the States, profoundly shaping the west coast Americana sound.
The dissonance of the chorus never resolves to consonance; the conclusion of the song simply hovers there, as unknowable and discomforting as its subject. Most of the worst things that happened, culturally speaking, in the American seventies have one thing in common: they're a direct result of letting hippies take cocaine. If the music of most wealthy West Coast bands distended grotesquely as the decade wore on and their septa wore away , Fleetwood Mac grew leaner and weirder.
The first recording of 'Crystal', on Lindsey and Stevie's duo album of , is pleasantly-toasted Californian folk-rock, but the Mac's version - emerging from the cokey blizzard of - is a masterpiece of glazed euphoria. Christine McVie plays a smoggy LA sunset on the Multimoog, Buckingham's voice has gained that breathy, hysterical edge and rock's most reassuring rhythm section smooth the whole thing down.
Like most Mac music of the time, it's lush but never quite laid back: if anyone had been listening closely then the bug-eyed contortions of Tusk , arriving half a decade later, would have been less of a surprise. Taylor Parkes. The drum track watches the slow hand, guitars and piano sob with sympathy. Or the cocaine blizzard Nicks would not be free of until Matthew Lindsay.
Christine McVie's 'Brown Eyes' features an uncredited Peter Green on guitar, though by the time Green gets to business, the song fades out. Despite that, the song is one of McVie's most textured, yet appears on an album that didn't resonate with American fans too well after the massive success of Rumours , while in the UK, the album went to number one. Looking back at Tusk , Mick Fleetwood swears it is some of the group's finest work. I can only find a few songs on this album that I like but this is one of them. Craig Terlino.
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If I hear Santana's Black Magic Woman' on the radio, the dial is usually turned within the first three notes. It's overkill, just like all the other classic rock gems that have been lodged into our brains so far that in the still of the night we wake up hearing them for good or ill. This is one of those songs that, although I have high respect for its brilliance, I would just rather hear a different version from time to time. That's not the radio's style, however. They want to nail the same song to your brain over and over again until every album on your shelf reads Greatest Hits.
Peter Green's version is the real deal and as many might not know, was written by him and made popular by Santana. In contrast, Peter Green's original version is more psychedelic, much more raw and relaxed than Santana's and haunted by Green's blues-driven guitar and spirit. There's just nothing like the original and it makes you wonder why such a great track has been closeted. Peter Green of the original Fleetwood Mac was no slouch when it came to getting the blues. Still, until this day, when I bring up Fleetwood Mac in conversation, someone always identifies with the reincarnation of the band; a persuasion of vaginas, drugs, alcohol, jealousy, witchcraft and brilliant songwriting to keep the tension high and mighty.
However, prior to all that, Peter Green's Fleetwood Mac had its finger on the true essence of the blues. Fleetwood Mac, punk? Jeremy Spencer, their first guitar player was known for his comedic abilities and impersonations such as Buddy Holly and Elvis Presley which he would occasionally break into on stage. Ferlin Husky - Fraulein MP3. Fiddler On The Roof. Fidler On The Roof.
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