Hindenburg Journalist is a multi-track audio editor aimed at professionals who work with the spoken word. You can either record directly into the app or arrange files you've already recorded elsewhere. It's perfect for cutting together interviews or producing podcasts since it handles some of the more technical aspects of production for you.
The app's standout feature is its ability to handle levels for you. As soon as you're done recording or importing a waveform, watch Hindenburg Journalist automatically increase or decrease the volume of the track to comply with modern loudness standards. You can then use the built-in profiler, an automated equalizer for enhancing voice tracks, to optimize your audio for publishing. Hindenburg makes it easy to create and arrange projects on a timeline. You can add markers or separate audio by chapter while recording, so you don't lose track of important sound bites.
The software makes it easy to create and edit audio for all your productions
The app's clipboard function provides four groups into which you can divide your sound bites, music, ambiance, and other audio clips, with the ability to paste the top clip with a custom shortcut. Despite the affordable price tag, Audio Studio 12 is a powerful tool for editing, mastering, and exporting audio to a variety of formats.
It's not a multi-track editor, instead focusing on a single stereo file or recording at a time. Common tasks that the app handles confidently include cutting up files, merging recordings, cleaning up audio, and applying effects. Audio Studio 12 comes with iZotope Ozone Elements, a dedicated mastering processor which runs alongside the main app as a plugin. Ozone includes professionally-designed presets to make your recordings sound richer and punchier with minimal effort.
Video integration is one of Audio Studio 12's strong points. You can open a video file and see the individual frames on the timeline while making your edits. When you've improved your soundtrack, it's easy to merge—or "remux"—that audio file back into the video, without having to take the time to re-render the whole thing. Editing audio in a browser isn't for everyone. It can be laggy, web apps tend to crash, and much of the time, the speed of your internet connection will dictate how productive you can be.
The Best Audio Editing Software: 11 Audio Editors for Any Situation
With this in mind, TwistedWave Online is the best cloud-based tool for the job. The free plan is limited to five-minute mono recordings, 16 bit audio at 48kHz, with an hour of free online storage when you register an account.
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Sign up for the premium plans to increase these limits and enable stereo recording. You can use TwistedWave Online to create recordings and edit files you already have. Grant access to your microphone and record directly into a browser, or upload your own files for editing. Of course, you'll have to wait for your file to upload before editing, and there can be some delays in playback while you use the app. TwistedWave Online includes a few effects on top of the usual editing features. You can amplify audio, create fades, and change pitch or speed.
You can also apply TwistedWave's own library of VST effects, which work surprisingly well for a cloud-based editor. TwistedWave Mac is another Mac-only editor at a premium price point. It's suitable for making quick edits to audio files, mastering audio using built-in effects, and batch processing. The interface is minimal and responsive, and applying effects or processing large files takes place in the background. This allows you to keep working while TwistedWave catches up. Useful features include a smart silence detector, allowing you to detect silences and export the remaining audio as individual files.
There's a handy batch processor for applying the many built-in effects, including VST and AU plugins supported by the app. You can also create your own effect stacks and deploy them with a single click. Compared to a simpler editor like Fission, TwistedWave includes some more advanced features like professional time stretching and pitch shifting, multi-channel editing for 5.
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WaveLab Elements is a serious audio editor comparable to Adobe Audition. It's a cut-down version of Steinberg's much pricier WaveLab Pro, featuring a range of tools for audio visualization, editing, and mastering. Unlike Audition, WaveLab isn't a multi-track editor, but in terms of professional application, it shares many similarities including an extensive range of effects and an interface geared towards professional users. Of note are the extensive audio visualization tools.
You can edit audio on a regular waveform, or use the spectrogram view to identify specific frequencies and notes. Insert markers at any point in your recording, or mark specific regions of the recording to revisit later. WaveLab Elements comes with a "module-based" mastering suite, which allows you to build a chain of limiters, compressors, equalizers, saturators, and stereo imagers in a single effect module.
Save your customized modules for use later in other projects.
It's a highly capable tool for home musicians and podcasters, without Adobe's subscription-based approach. You don't need an audio editor until you need to edit audio. That means you should pick your editor of choice based on what you're trying to achieve. Free editors like Audacity and Ocenaudio are good starting points for most users. If you're finding the free options a little limiting, budget editors like Fission provide more pleasant working environments and robust feature sets.
Now that Audition is going to be on the Mac, it will definitely be my tool of choice for creating high-end audio for our studio's motion graphics and video projects. The Mac version of Audition will not be available immediately. Adobe intends to make a public beta available on the Adobe Labs Website by the end of this year Winter, to solicit feedback from the Mac community before finalizing the software for commercial release.
Adobe has not specified a timetable for when a commercial version will be ready. Key features of the upcoming Adobe Audition for Mac will include: Multi-channel support for 5. But what has always and continues to set Audition apart is that it has some of the best audio restoration capabilities available Walmart offers rare discount on first-party Apple Watch sport bands.
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What do you gain? We try and touch on this as much as possible within each review. In short, read our reviews linked below and try some demos where you can. But otherwise, don't sweat it too much. We spent countless hours testing these products and putting together both the reviews and this guide. Despite the complexity of the software here, we've found it's honestly tough to go wrong.
The Best Audio Editing Software in Unbiased Reviews
It's not like computers or cameras, where you can clearly see that of the latest crop of products, a few perform well and a few don't perform as well as the leaders. These are all mature, well-established products, each with thousands of fans. As a result, more than half of the packages in this roundup score at least four out of five stars. You can get professional-level results with all of them. Each has some specific workflows that work really, really well for some people—hence the endless "X is the best and Y is garbage" arguments on the internet—but they all can work for just about anyone.
Even so, we single out two DAWs, one on the Mac and one on the PC, for Editors' Choice awards: Apple Logic Pro X, for its absolutely unbeatable value with its built-in instruments and effects plug-ins, and Avid Pro Tools, for its seamless audio editing and suitability up and down the pro studio chain. But we'd happily use any of the programs listed below for new projects. Choose one, learn its secrets, and get to work creating and editing amazing music and audio projects. Pros: Still the cleanest audio editing workflow on the planet.
Fast bit recording and mixing engine. New cloud-based project collaboration tools. Robust, useful track freeze and commit options. High-end hardware and support policies are tops in the industry. Cons: Lacks built-in pitch correction. No VST plug-in support or instrument track presets.
USB dongle-based copy protection. Monthly fee required for new software patches past 12 months. Pros: Vector-based interface is attractively animated, and supports 4K, multi-monitor, and multitouch configurations. Brilliant loop and pattern-based MIDI composition tools. Visible automation clips are easy to manipulate. Light memory footprint. Free lifetime updates. Cons: Convoluted, inflexible audio recording in higher-priced versions. Must manually assign instrument tracks to mixer channels. Built-in sound library could use some updating.
Lacks notation editor. Pros: Strong audio-restoration, sound-removal, and noise-reduction tools. Excellent stereo waveform editor. Useful visualization tools. Adheres to film and television broadcast standards for audio. Only available via an expensive monthly subscription. It's expensive for what you get, though, and makes the most sense as a supplement to a video editor or as part of an existing CC subscription.
Pros: Comprehensive editing and automation support. Robust plug-in bundle. Powerful mixer. Rock-solid stability. Cons: Expensive. Dongle-based hardware copy protection. Pros: Inspirational clip-based live and composition workflow. Fast navigation. Powerful automation. Suite version contains plenty of sample material to work with. Cons: No track comping. No notation view. No pitch correction tool. Mixer view could be more robust. Pros: Fast workflow for music composition and audio recording. Robust included sound sets. Attractive drag-and-drop interface. Powerful free version.
Multitouch-enabled on the Windows side. Cons: No notation editor. MIDI editing is still weaker than the competition.