Now you can hit the "Record Enable" button on your track and you should be able to see sound getting picked up from your AudioBox when you talk into the microphone for example. Like I said I am no expert on this. Getting help when you are new and especially with PreSonus Audio Box can be a challenge, so I thought I would help out anyone else who might be struggling so that you don't have to spend hours researching and screwing around like I did. This may be obvious information to most of you but remember everyone started from somewhere.
I know this is not the greatest guide either. Hope I was able to help some people out. The Weed. Help is almost always available on the DUC for any issue, but people need to start with the Help Us Help You link at the top of every forum, follow all the recommendations and, if still having issues, post the necessary information needed for others to be able to help.
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Thread Tools. In contrast, Eris speakers are real studio monitors, delivering a very accurate response with a tight bass and very clear upper end. That's what you need in a home studio. Thanks to well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.
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Yet Eris-series speakers are ultra-affordable, making them a terrific value. And with two models, you can easily find the Eris monitor that best suits your studio needs. When Size Matters If space is at a premium, or if you want the ultimate in portability, consider the compact Eris E5, which takes up just 7 x You can shoehorn this little beauty into almost any studio space. The E5 sports a 5. It can crank out a clean dB SPL, peak. Frequency response is rated at 64 Hz to 22 kHz.
For a studio monitor in its size and price class, that's impressive. For an extended low-frequency response and a bit more muscle, step up to the Eris E8. With its 8-inch, Kevlar low-frequency transducer, driven by a 75 watt, Class AB power amplifier, it can range down to 45 Hz.
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Like the E5, the E8 can reach all the way to 22 kHz, thanks to a 1. All Eris speakers have front-ported enclosures made of vinyl-laminated, medium-density fiberboard MDF. The RCA input is summed into the signal path. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source. You're in control! Today's music producers deal with a wide variety of musical genres and often work in more than one location. It's easy to take your Eris speakers with you when you want to work in a different space.
It's almost as easy to customize their sound for your room and type of music. The most basic control is the Input Gain, which determines the signal level before it reaches the power amp.
This is part of gain-staging your overall system-that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you've gain-staged your system, you can leave this control alone. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio.
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The Low control also is useful when using the E5 or E8 with a subwoofer. In addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below Hz by a specified amount -2 or -4 dB to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner.
If you don't want to roll of those lows, set it to 0 dB. This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don't have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors' response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.
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Safety Matters Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. If you've ever heard a radio broadcast unexpectedly coming out of a guitar amp, that's the result of RF interference. Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting to prevent damage should there be a short circuit on the speaker terminals , and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer's performance.
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I can hear the signal at the speakers from the input of the 44VSL but nothing shows up on Cubase. Been into the Devices and setup the interface and followed all steps into my first recording project. But that's as far as I can go. I was able to get my system sorted out. The guy I bought It from was abl to get it sorted for me. But he assured me they don't long to get that sorted. What he did though was delete all drivers relating to the presonus off the Mac so that the Mac would use it's own drivers. It is working.
I just have to keep an eye on the presonus website for when the new drivers will become available for Snow Leopard. At the moment I don't have absolute full access of the 44VSL unit, but it is working. Who is online Users browsing this forum: TheScientist and 1 guest.