The Smiths. Although hidden beneath a jaunty tune and skippy rhythm, this song is a direct and damning plea from Morrissey to Geoff Travis, the boss of The Smiths' record label at the time, Rough Trade, to let the band go. Geoff saw the funny side, however, telling Mojo : "I saw the lyric as part of Morrissey's desire to be somewhere else, so it's not completely silly. It was The Smiths' prerogative to leave Rough Trade and Morrissey can only write about his own experiences.
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As we discussed when celebrating Carly Simon 's 70th birthday last year , You're So Vain is a rapier blade between the ribs of a rapacious lothario. The hotly debated identity of the culprit is a moot point - he's a composite of several people, anyway - although last year she revealed that the second verse the one that details a personal relationship with the singer is about the actor Warren Beatty, and that he is indeed so vain, he assumes the whole song is about him.
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For Fleetwood Mac , making the album Rumours was a rum do as the above Johnny Walker interview illustrates. The relationship between Lindsey Buckingham and Stevie Nicks was also failing and they were both writing songs about it , and at one point, Stevie took up with Mick Fleetwood , presumably so he wouldn't feel left out of all the turmoil. Stevie's song Dreams was a thoughtful address to Lindsey, a healing hand across troubled waters.
Lindsey, meanwhile, was lashing out. After which, Stevie dutifully joined in on the chorus harmonies, rather than, say, kicking him in the shins. Their messy off-again, on-again bond was the fuel in The Libertines ' creative tank, and when it was severely tested - Carl suspended Pete from the band for a bit, Pete retaliated by burgling Carl's flat, for which he served time in prison - it all came out in song form.
Can't Stand Me Now is that story, recorded by two men who had to be separated by bodyguards in the studio , in case things got ugly. It is also rather touching, the sort of teenage sulk that puts up barriers when all anyone really needed was a big hug. Bystander John Hassell, the band's bass player, told Q magazine in March "Maybe the only thing Pete and Carl could honestly sing about was the situation, what they felt about each other.
Almost a sort of therapy in itself. Another row between former buddies, but with hip hop beefs, everything very quickly becomes bigger and more direct. Having thrown a few short barbs at each other across various tracks, Jay Z and Nas went at it in earnest in Jay's song Takeover was a direct pop at both Nas and Prodigy from Mobb Deep , mocking the former's slow-but-steady release schedule and the latter's height. Nas replied with Ether, a song so sharp it quickly became a beef benchmark; no punches pulled, no insult untested.
Nicki Minaj. If Jay and Nas went at it like rap gladiators, Nicki Minaj 's attack on female haters in general, and Lil' Kim in particular, was closer to a house falling on a tulip. All hope is not lost for a reconciliation, however. Discussing the aftermath of another beef in the interview above, Nicki told Charlie Sloth: "One thing about me, I'm a very forgiving person, I feel like people make mistakes but as long as you come to your senses after the fact John Lennon.
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Director Taylor Hackford flew into Chicago to see one of the band's concerts. Collins watched the movie on a videocassette recorder in his hotel room and agreed to appear on the soundtrack. On episode of This American Life , "Break Up", Collins relays that the song was inspired and written shortly after the breakup between him and his first wife. In the interview he says that the divorce transformed him from being a musician into also being a lyricist.
The song was first included on a Collins album on the compilation Hits , and it also appeared on his compilation Love Songs: A Compilation Old and New A live performance of the song also appears on the Serious Hits Hackford, who previously used a song for the American drama film An Officer and a Gentleman , planned the same for the neo-noir film Against All Odds ,  which is a remake of Out of the Past.
When he signed with Atlantic Records , he was provided with a roster of artists, among whom Collins was chosen to render the film's theme song based on the quality of his voice.
Writing for the soundtrack's review, Allmusic editor Heather Phares claimed that the movie is best remembered for the inclusion of Collins' "classic theme song". At the Academy Awards ceremony, Collins was not invited to sing his song on stage and instead sat in the audience as dancer Ann Reinking gave a mostly lip-synced vocal performance accompanied by a dance routine.
Reinking's performance was poorly received by critics from the Los Angeles Times and People ,   as well as by Collins himself in a Rolling Stone interview. When another song Collins performed for a movie, " Separate Lives ", was being nominated for an Academy Award , in interviews about the original snub by the Academy for "Against All Odds", Collins would jokingly say "the hell with him - I'm going up too", referring to what he would do if the Stephen Bishop-written song were to win the award. After its release, "Against All Odds" peaked at No.
In the U. It is the first of six songs by Collins written specifically for a film soundtrack that would appear on the Hot The single's music video was directed by Taylor Hackford , produced by Jeffrey Abelson through Parallax Productions and cinematographed by Daniel Pearl.
The music video was released in February It was released as the fifth and final single from the album on 8 August Carey co-produced the single edit of the song with Steve Mac. Although the song was promoted as part of Carey's Rainbow in the U. It was initially released in some markets in early This was also the last single with her then label Columbia.
The song reached the top twenty in several countries. The highest peak of the song was number two in Norway. The video for the Carey version of the song, directed by Paul Misbehoven, consists of a montage of clips of Carey singing the song from her various Rainbow World Tour stops to cullings from her Homecoming special. Danyel Smith of Entertainment Weekly wrote: "Listeners with an eye on the tabloids could read her close, ringing interpretation of Phil Collins' hit, "Against All Odds Take a Look at Me Now ," as a postmortem on her bittersweet affair with Yankee shortstop Derek Jeter and a poignant evocation of the couple's shared mixed-race heritage "You're the only one who really knew me at all".
Times' Elysa Gardner called this cover "surprisingly faithful, forthright" and "she resists her tendency to over-embellish notes and focuses on what really matters: the melody and lyrics. She delicately ascends the sparely accompanied first verses—but alas, that damn drum roll soon sounds and the bouffant strings and vocal gymnastics ensue. Carey re-released the song in collaboration with Irish boyband Westlife. The song was released as the first single from the band's second album Coast to Coast.
The song was released in September , a month after Carey's solo version. Carey's vocals from the solo version were retained for the duet, though the instrumental track was reproduced with a more organic sound complete with violins. The music video shows Carey and Westlife recording the song and exploring the island of Capri by boat.
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The single peaked at number one in the United Kingdom and Ireland, while reaching number three on the continental chart, European Hot Singles. The song has sold , copies in the total in the United Kingdom. It is Westlife's sixth biggest selling single paid-for sales and combined sales categories of all-time and their fifteenth most streamed single in the United Kingdom. The UK version of the single includes a limited edition Enhanced CD with video, poster and Westlife-only version and CD with Westlife video interview and picture sleeves. It charted at number one in the UK the following week.
The next fewest sales from a winner's song was Sam Bailey 's version of " Skyscraper ", which had first-week sales of , copies, 26, more than "Against All Odds". The segment featured an interview with Collins, as well as narration from a woman who listened to the song to get over a break-up and vowed to write her own break-up song.
From Wikipedia, the free encyclopedia. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. British Phonographic Industry. Retrieved 16 February New York Post.
New York. Retrieved 17 November Billboard : Retrieved 3 September BBC News. Rovi Corporation.
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Billboard Magazine. Los Angeles Times. Los Angeles. Retrieved 9 August